Wednesday, June 30, 2010

Graduating from Cow-Share College and Goat-Share University!

Learning to sell shares can bring you more profits.

Are you thinking about selling shares of your cows or goats in order to supply folks with raw milk?  Economically, this could make a lot of sense for you.  Check out this chart to see why:

We highly recommend getting yourself educated before you begin.  It is not as simple as you might think.
Michael Schmidt (Cowshare Canada) and Tim Wightman (Cowshare USA) have founded cowshare colleges to educate farmers about how to start and maintain a cowshare/goatshare operation.


Michael Schmidt, the well known Canadian farmer who won his lengthy court battle in January, taught his first course May 1st at his own Glencolton Farm in Durham, Ontario.  There were 22 participants and they all received certificates of completion at the end of the day.  According to an article in The Bovine, these were the topics they covered:

Safe Raw Milk Production
Farm Management
Cow breeding
Animal Husbandry

Biology of Milk
Safe Handling of Raw Milk
cleaning procedures
testing procedures

Cow Share: a co-operative structure
current legislation
Kowarsky cow share ruling
social responsibility

Cow Share member relations
how to connect
how to maintain
how to develop reliable partnerships
how to manage expectations

Accreditation Process
completion of courses
baseline testing
testing requirements of cows
inspection by independent dairy inspector
Final accreditation

As you can see, consumers who buy their shares from accredited farmers have reason to feel good about the arrangement they have.  According to Michael Schmidt's website, plans are already underway for another Cowshare College in Ontario in October, a more advanced session in November, and even Cowshare College sessions in other provinces.  To register, contact Danielle at or call 416-652-7867 ext. 250.


Here in the US, classes began in Fall, 2008, sponsored by the Farm-to-Consumer Foundation.   This year, classes started in April in the form of "teleseminars" which you can take in the comfort of your home.  There will be classes available in October on Thursday afternoons and evenings.

 The following information comes directly from the Farm-to-Consumer Foundation website:
PRICE: Each teleseminar is $35.
DISCOUNT: Buy three for $95 or all four for $125
AUDIENCE: For farmers at all levels of cow/goat-share experience, and consumers who want to learn more about the topic.
METHOD: When it’s time for the teleseminar, just pick up the phone and dial the long distance number and password you’ll get after you register.  You’ll need long distance access and a touch tone phone to participate. During lectures, all callers will be placed on mute, to decrease background noise distractions. Participant interaction is encouraged during the Question and Answer sessions and the entire 104 session, which is totally devoted to interactive activity.
LONG DISTANCE CHARGES: Tuition does not include any applicable charges for your long distance call. Many of our participants use cell phones with free long distance. Another alternative is using a discount long distance service from a discounter like OneSuite.
CLASS SIZE: Teleseminars will have a minimum of 5 and maximum of 25 participants.

101 - Legal Basis for Share Operations - Pete Kennedy, Esq.
102 - NEW! Goat-Share Operations  - Sharon Wilson
103 - Cow-Share Operations - Tim Wightman
104 - Legal and Operations Forum - Pete Kennedy, Esq, Sharon Wilson and Tim Wightman

Pete Kennedy, Esq. presents a legal overview of share operations and a discussion of the differences between the various types (cow/goat, herd or farm-shares).
(1 hour lecture and 30 minutes questions and answers)
102 – OPERATIONS (Goat-Shares)
Past attendees with goat-shares asked for their own class focusing on goats. Beginners and experienced goat-share operators will benefit from Sharon Wilson’s advice, including important aspects to consider before starting, solutions to common problems and sure-fire ways to improve both quality and profitability.
(1 hour lecture and 30 minutes questions and answers)
103 – OPERATIONS (Cow-Shares)
Beginners and experienced cow-share operators will benefit from Tim Wightman’s advice, including important aspects to consider before starting, solutions to common problems and sure-fire ways to improve both quality and profitability.
(1 hour lecture and 30 minutes questions and answers)
104 – LEGAL AND OPERATIONS FORUM (Cow and Goat-Shares)
A favorite of past attendees - A lively forum hosted by Tim Wightman, Sharon Wilson and Pete Kennedy, Esq. for getting your most important legal and operations questions answered.
(1 hour and 30 minutes open question and answer forum)

Pete Kennedy, Esq. is an attorney and President, Farm-to-Consumer Legal Defense Fund and VP, Farm-to-Consumer Foundation. He works on dairy issues, particularly, the right of farmers to distribute raw milk and raw milk products direct to consumers. Each week, he helps farmer members of the Fund with cow or goat-share operation start-ups. He compiled the state raw milk laws and state raw milk summaries posted a He is currently working with others to challenge the federal ban on the interstate shipment of raw milk for human consumption.
Tim Wightman is President, Farm-to-Consumer Foundation and founding board member for the Farm-to-Consumer Legal Defense Fund. He has pioneered CSAs, organic cooperatives, farmers’ markets, the cow-share program and the farm-share program while living in Northern Wisconsin. Tim consults worldwide with dairy farmers on cow-shares, raw milk safety and direct marketing and is the author of the “Raw Milk Production Handbook”.
Sharon Wilson is a charter member and currently Treasurer, Raw Milk Association of Colorado (RMAC).  She is the owner, operator of Natural Choice Dairy, LLC a goat herd-share in Colorado.  As a Board member of RMAC, she has been helping to create test standards for goats along with product standards and recommended process standards. Sharon has been consulting other potential goat share operations in and out of state for the last five years.

Register online or call 703-208-FARM (3276) Monday- Friday 10 a.m. – 6 p.m. Eastern.

Monday, June 28, 2010

Making Farmstead Cheddar

Jayne Maker
Warwick, Rhode Island

We first got to know Jayne in April when she was our "Interview #4 with a New Cheese Maker."  Well, she isn't so "new" anymore.  After mastering Mozzarella, Ricotta and Chevre, she went on to make Farmhouse Cheddar, Stirred Curd Cheddar and Japapeno Cheddar.  She's still waiting for the last two cheeses to age, but her Farmhouse Cheddar was a big success (according to her son, Alex.)

Jayne documents everything on her wonderful blog, Barefoot Kitchen Witch.  She allowed us to condense her Farmhouse Cheddar experience which she shares in 3 separate articles;

Finally, I'm making a hard cheese.
I'm making Farmhouse Cheddar, and I am both nervous and excited.  I've started with 2 gallons of local whole milk.  Pasteurized, but not ultra-pasteurized.
Right now I'm at the very beginning of the whole process - I've added my mesophilic starter and the milk is sitting at or close to 90F for 45 minutes.
I'm 9 minutes into that waiting period.
I figure I'll update as I go along. Next up will be adding the rennet, which is diluted in cold water - 1/2 tsp rennet in 1/4 cup cold non-chlorinated water, in case you're taking notes.
The starter phase is almost done.  I just smelled the milk in the pot - it smells warm and sweet.
Okay, I added the rennet, which is done by pouring it through a slotted ladle and gently stirring so the rennet makes it all the way through the milk and to the bottom of the pot.  Then you "top stir" by laying the slotted ladle kind of flat against the top of the milk and gently pressing up and down, no more than half an inch.  I think this way of doing things is, in effect, rocking the rennet, like you might very gently rock a cradle - you don't want to disturb what's inside, but you want there to be motion.  At least, that's my take on it.
So right now, the pot of milk is sitting on my counter, covered and wrapped in a towel to maintain the temperature as much as possible.
After this step - which is, I think, the most nerve-wracking because WHAT IF IT DOESN'T COAGULATE???!!! - comes the slicing or cutting of the curds.  The book calls for a curd knife, which looks exactly like one of the large metal spatulas that I use to ice cakes.  So that's what I'm using.  I think I'll be able to take pictures of that step.
Okay.  Hitting a snag.  Milk with rennet sat for 45 minutes but has not achieved a "clean break" - the curd doesn't hold together when I poke it with a finger or thermometer.  I'm letting it sit another half an hour and trying to stay calm.
Okay, I'm calmer.  Haven't checked the curd again yet, but I did some reading online and it's okay if the setting takes longer than that 45 minutes to an hour I had anticipated.  So I'm still breathing.
ohpleaseohpleaseohpleaseohpleaseohpleaseohplease...  five more minutes til I check again...
Okay, here's how it looks when you get a clean break.  (Sorry - I didn't take a picture when it wasn't breaking cleanly for comparison - I was too panic-stricken.  Hahaha.  Not really.  Much.)
Yes, my finger is clean.  What you do is, you stick your clean finger about an inch into the curd at about a 45 degree angle...
And then you lift up with the tip of the finger, bringing it up through the curd...
And, ideally, the curd splits apart relatively neatly, like it's doing in the picture below (hee hee hee!!!)  Before this, when I'd checked it the first time, my finger came away thinly coated with creamy wet curd.  Nothing clean about it.  So I was VERY happy when I achieved the clean break you see below.
So what's next? 
Well, after I did my little happy dance, it was time to cut the curds.
I need practice with that.  Basically, you take your curd knife and, holding it straight up and down and with the tip of the knife touching the bottom of the pot, you slice straight lines about half an inch apart, from one "end" of the pot to the other.  For some ornery reason, I started in the middle.
Then, when you're done slicing the curd in that direction, you turn the pot 90 degrees and slice half inch wide sections again, so it looks like a checkerboard.
All that is the relatively easy part.
Now at this point you've got half inch strips of curd - the tops are on the surface and they extend all the way to the bottom of the pot.  Got that?  Okay.  Next, in order to make little curds, you angle your curd knife at 45 degrees or so, and slice - at an angle - through all the lines you've just created.  So you're re-slicing through everything, but on an angle.
I kept trying to do this but it felt like I was blindfolded the whole time, and I had no idea if I was cutting at the right angle most of the time.  But I did it.  I think.  Pretty much.
Ideally, I shouldn't have the smaller, thinner slivers of curd.  But it was hard to see the lines some of the time.  And it's the first time I've ever done this.  I think I'll do better next time around.
After cutting them, you let them sit for five minutes, covered.
The reason you cut them is to create more surface area through which moisture can be released.  If it's one big curd, then the moisture (whey) is released slowly.  If it's a bunch of little curds, lots more moisture is released, and more quickly.
Now, once your curds have rested, it's time to sloooooooooooowwwwwwwwwwwwly cook them until they reach 100 degrees F.  Now, when you warmed them up and mixed in the starter and the rennet, the temp of the milk was about 90 degrees F, so getting back to 100 shouldn't be much hassle, right?
Ha!  Wrong.  Remember I said sloooooooooooooowwwwwwwwwwwwly?  That's the kicker.  You can't heat your curds and whey up any faster than 2 degrees every five minutes.  If you go faster, the outside of the curd dries out faster and traps moisture inside too early in the game.  At this stage, you want the curds to be releasing moisture, not hanging on to it.  So you can't just set your pot on the stove and crank the flame. 
To heat the pot slowly, I used the method recommended in the book (Home Cheese Making, by Ricki Carroll), which is to fill your sink with hot water and set your pot of curds in the water.  I read (either in the book or online somewhere), that you want the temperature of the water to be about 10 degrees (or fewer, depending on who you read) above the temperature you're shooting for.  Or something like that.  I don't know - it was very complicated in my mind.  I was worried I'd cook the cheese too fast and have to dump it all or suffer the shame of drippy cheddar or something.
But as it turned out, it really wasn't that difficult or stressful.  Just time-consuming.  The pot of curds was around 87 degrees by this point.  I ran water in the sink and got it to around 100 or so.  Then I set the pot in the sink and held a thermometer in the curds for about 40 minutes all told.  Well.  Not constantly. 
You're also supposed to gently stir the curds around.  This encourages them to give up whey and it also helps distribute the heat evenly throughout the pot.  I used my curd knife (aka my spatula) to stir, since the spoon and the ladle I tried seemed (to me) to break curds in the process.  I may have been imagining that, though.
So, anyway, my goal was two degrees every five minutes - or no faster.  And, for the most part, I achieved that goal.  At some point it looked like the temperature was going up too fast, so I took the pot out, set it on the counter, stirred to bring the temp down a bit, and then, when the temperature of the curds was stable, I put it back into the water and brought the curd temp up another slow couple of degrees.  Sometimes I had to add more hot water to the sink. 
It was a learning experience, and by the last few degrees, I felt like I knew what I was doing, which is a nice feeling to have, let me tell you.
Okay, now once you've reached 100, you let the curds rest again.  After all, it's hard work, shrinking and eliminating liquid like that.
While the curds took their break, I got my butter muslin (cheesecloth's finer-woven cousin) and a colander so I could strain the curds.
I would have saved the whey, but I still have 2 quarts of goat's milk whey in the fridge, and no extra the drain it went.  Next time, I'll plan better.
Isn't that cool????
They look like large cottage cheese curds.  And they're not squishy and delicate like they were when I first sliced them.  Now they're rather firm and hold their shape even when you squeeze them. 
I lined the colander with the butter muslin and poured the curds and whey through.  Here's what I ended up with:
Is it silly to be this overjoyed about curds?  I think not.
Next, I tied the corners of the muslin, ran a wooden spoon handle through the two knots, and suspended the bag of curds from the top of my cheese pot so it could drain for an hour.
An hour later, it was time to unwrap my curds!
I unwrapped it completely and set it in the bowl and just looked at it for a couple of minutes.
I really sort of wanted to leave it just like that for a while.  It looked so cool.
But no, it was time for milling.
Milling is when you break up the strained curd into pieces - in this case they needed to be roughly the size of walnuts.  You're also supposed to do this pretty gently, so as not to squeeze moisture out of the curds at this point.  That's what I read, anyway.  So I was careful in my milling.
Next, you directly salt the curds by sprinkling a tablespoon of salt over the curds in the bowl and gently mixing it in.  I used Kosher salt, because I always have plenty of it around, but you can also buy cheese salt from cheesemaking supply companies.
I used my hands and carefully tossed the curds around a bit to distribute the salt.  When I was done, I noticed a little more whey in the bottom of the bowl, which is completely normal.
Then, while I was reviewing the section on molding and pressing the cheese, I read that ideally the temperature of the curds needs to be 70 or lower, otherwise the curds will loose too much moisture when you start pressing them.  So much depends on temperatures!!
Anyway, I wondered just what temperature my curds were, so I stuck a thermometer in one of my curdy walnuts, and I was mildly surprised at what I saw.
Since 82 was way too hot to start pressing, I opened the window, so the chilly after-dinner air would speed up the cooling process.  Eventually I hit 70 and it was time to start molding the curds.
First, I lined my plastic cheese mold with butter muslin (didn't have normal cheesecloth, but I believe you can use that at this point if you prefer) and set it on two sushi mats in a rimmed cookie sheet.  The mats help raise the mold off the cookie sheet, so that as the cheese is pressed and the liquid seeps out, the curds are not sitting directly in the liquid.  I hope that made sense - it's getting late and I'm tired.
Next, I spooned the curds into the muslin-lined mold.
(By the way, I'm making Cheddar!  Can you believe it?  Me neither!)
Initially it looks like you've got too many curds for the size mold you're using, but just press down on the curds with a spoon (or your very clean hands) to flatten it down to about the level of the rim of the mold.
Then you neatly fold the edges of the muslin (or cheesecloth) up over the top of the curds.  You want to do this as tidily as possible so as not to form ridges in your cheese. 
Next, you need to place a flat round something on top of the wrapped curds.  This is called a follower (I think.  I'm sleepy.) because it basically follows the curds down during the pressing.  (Or at least that's my take on things.)
You can use a small plate, or a piece of untreated wood cut to fit, my case...the food grade plastic takeout lid from last night's Wings with Sticky Sauce that we ordered from the Chinese restaurant up the street.  The wings are really good, and even better, the container they were in was perfect for my cheese pressing purposes.
I cut the flat part of the lid to use as a follower (it might just be called a "follow."  I'll check on that tomorrow and let you know if I'm wrong.) and then I used the bottom of the container to hold my weights.
(Update, Sunday morning:  It's "follower.")
But I am jumping ahead.
To press the cheese, you start with a moderate amount of pressure - ten pounds - for a relatively short period of time - fifteen minutes.  I think this is because at this stage the curds are pretty loose, and you're just getting them mushed and squished into place and releasing the major liquid.
I don't have a cheese press, though part of me wants to order the blueprints and make one, but we do have weights.  Nice flat, round little weights that I removed from the dumbells in the basement and brought up to the kitchen.  They're the perfect size for pressing cheese.
I got four 2 1/2 lb weights to start with and carefully set them in the base of the takeout container on top of the follower on top of the wrapped curds in the mold. Like so:
Almost immediately the curds started to release more whey.
Fifteen minutes later it was time to remove the first set of weights, take the cheese out of the mold, flip it over, and increase the weight.
Here's the cheese after I took it out of the mold.  It's still wrapped, of course.
And then, a quick flip and back into the mold it goes.
I'd also drained the whey from the cookie sheet and rinsed off the two sushi mats, by the way.
At this point, I pressed the cheese down into the mold and moved the whole thing into the pantry.
So here, for tonight, is the cheese pressing set-up:
That's twenty pounds of weight on top.  I have to leave it like this for 12 hours, then take the cheese out again, flip it over, and put the weights back on it for another 12 hours.
And there's more to come after that, but I'll stop now and post this, and then post short updates as the cheese moves into the drying and aging phases.
But for now - I've started my first batch of Cheddar.  Yay!
I had the cheese in my pantry drying on a sushi mat on top of a wooden (untreated) board for a week.  The instructions I've read say 3-5 days depending on air temperature and humidity, but I ended up going a bit longer because I found a bit of mold on one side and after getting rid of that (by prying it off with a knife, which is really NOT the correct method, I learned afterward) I needed to give the cheese a bit longer to re-form the rind.  (Correct method is to dip a clean cloth in some vinegar and gently wipe the mold away.)
So, first, after the cheese sat under the final weight for a total of 24 hours.  After that point, it was time to unwrap the cheese.
So here it is, after the weight has been removed and I've taken the wrapped cheese out of the plastic mold:
Then I very carefully peeled away the cheesecloth.
And then I set it down so I could admire my work and take pictures.
And then I critiqued it a bit...for instance, see the cracks down along the lower part in this next picture?
Not sure if that's going to present a problem later or not.  In one recipe I read, the final pressing weight was 20 lbs, but it was 50 in another version of the recipe.  I went with 20 because it was, frankly, easier, but now I'm wondering if that might allow moisture to turn into mold or something during the aging phase.  I guess we'll find out around the end of June or so, won't we?
Anyway, once the cheese was unwrapped, I just set it on a clean, dry mat on top of a piece of wood and put it all back in the pantry to dry.
And I turned it and repositioned it on the mat and the cutting board several times a day, to help the rind develop evenly and to prevent mold from forming.
As I mentioned above, despite my best intentions, a bit of mold did form, but from what I read that's very normal and easily remedied.
So that was that - periodically turn and move the cheese until it had a nice rind.  Not a hard rind - we're not talking parmesan here.  It was a darker, yellower shade than the wet cheese that came out of the cheesecloth, and it felt dry to the touch.
So, before actually waxing the cheese, it's a good idea to put the cheese in the fridge for a few hours so it's easier to wax.
Why would that make it easier?  Well, because you're applying heat in the form of very hot wax to this room temperature food item, and the hot wax MIGHT just make the rind soften or melt.  But if the cheese is cold, it's less likely to soften when the wax is applied.  And, of course, the wax needs to be applied quickly.
So I put the cheese in the fridge for a few hours and did other stuff for a while.
And when the cheese came out, I wiped it down (as directed) with a damp cloth dipped in vinegar, to get rid of any lingering bacteria that might try to colonize under the wax.  I let it sit on the counter to dry while I started melting the wax.
Here's the cheese wax in my makeshift double boiler.  Wax is flammable and cannot be left unattended while it's melting and over heat, whether it's an open flame or not.  It's just too potentially dangerous.  It's also recommended that when you're melting it, you do so with the hooded vent above your stove running, to pull off the heat and vapors that might decide to go rogue and burst into flame.
Yeah, I was a bit uncomfortable about waxing.  But as long as you don't leave it alone, you should be fine.
At last, the wax begins to melt, and the block slips down and lies flat on the bottom of what will now be forever the cheese wax vessel.
Here, off to the side, is a sheet of foil, another sushi mat, and a natural bristle brush.  Why?  The brush was to paint the wax onto the cheese.  I know, I could have dipped it, and I'd originally planned to, but then I changed my mind.  The melted wax was going to be very shallow and rather than being able to dip half the cheese wheel at a time, I'd have to keep dipping and rotating the cheese wheel and I'd probably end up having to paint the center portion on each flat side anyway.  So I used the brush.
The foil was so I could put the brush down without getting wax on anything else.  And the mat?  It served no purpose at all.  I had it out because later that night I was going to be unwrapping and air drying the Stirred-curd Cheddar.  But it served no purpose with the waxing.  Consider it a garnish.
And here's the cheese again, waiting patiently nearby.
I have no pictures of the actual dipping.  I'm sorry.  But I kind of needed two hands - one to hold the cheese and one to paint the wax on.
It took a few coats.  And it was really very warm in my kitchen (80s) so I'd paint on some wax, very quickly (the wax dries fast so you have to paint fast), and then pop it in the fridge to chill down again for a couple of minutes, then back out and wax the unwaxed portion, chill again, then put on another coat in the same stop-start fashion.
And, finally, once the cheese had at least 2, but maybe it was 3 layers of wax applied and dried, I attached a little label so that eventually, when I've got a bunch of red wheels of cheese aging, I'll know which is which.
It ain't pretty, and maybe I'll try dipping the next one, because that might look nicer...but here it is.
My waxed wheel of Farmhouse Cheddar.  Ready to age.
Currently it's in the basement, in the closet where we store such things as Christmas, Easter, Halloween and Thanksgiving decorations, wine, and other miscellaneous stuff.  It's nice and cool down there, but won't be humid enough for long, so I'll be cleaning out our chest freezer (which Bill uses to lager beer sometimes) and setting the temperature to 55 degrees F, and that will be my "cave" for the cheeses.  At least until Bill decides to make another lager, which he says he has no plans to do any time soon.  I'll keep it humid during the summer with a little dish of water in the bottom of the fridge, and hopefully that will serve me and my cheeses well.  One way or the other, I'll let you know. 
If It Looks Like Cheddar...
So, I knew I could sample the Farmhouse Cheddar as early as a month after waxing.
Originally I was going to try to hold off for two months, but...I was just so curious.  A mix of curious and worried that maybe I'd somehow messed something up and it would be spoiled.
I just had to know.
So earlier in the week I decided that we'd sample the Farmhouse on Friday.
Then I sort of forgot about it because I got 2 gallons of goat milk at the Farmers' Market yesterday and got distracted by thoughts of Chevre.  Mmmmmmmm...Chevre....
So when Bill said something like "Are you still doing the cheese tonight?" I thought he meant was I going to make the Chevre...and then I remembered.
The Cheddar!
So I got it out of my temperature-regulated chest freezer "cave" and brought it out to the deck on a plate with a knife and some crackers.
And with little fanfare (just some pictures), I picked off the label and cut the wheel in half.
And pulled the halves apart.
Sorry, I'm still a bit dazzled by it all.
I cut one half in two and peeled the wax off, and took pictures (while Bill fidgeted impatiently nearby) and finally, finally, we sampled a slice.
And... tasted...
...mild cheddar cheese.
Holy dairy cow, Batman!
I did it!!!!!!

Wednesday, June 23, 2010

An Advanced Workshop with Jim Wallace

Q.  Are workshops really all they're cracked up to be?
A.  Yes!!!

Ask any great American cheesemaker how they learned to make cheese and there will be at least one workshop in their answer.  Workshops are simply the best way to learn.
This past weekend, Ricki's daughter (Sarah) and I (Jeri) joined 12 aspiring cheesemakers from near and far (including Canada), for an advanced  workshop at Jim and Robin Wallace's beautiful home in Shelburne, Falls, MA.  (As most of you already know, Jim is our technical advisor and he is always available to answer your questions via e-mail-info@cheesemaking.)
Jim, himself, has traveled all around the world taking cheesemaking workshops.  He finds it to be an unending adventure and he becomes impassioned when he is talking about the way cheese is made in other cultures.  Currently, he is experimenting with a recipe which combines the best features of two of his favorite cheeses.
Jim's wife, Robin welcomed us all.  Robin is an artist and a professional photographer.
We gathered in the basement "make room" to begin the learning process.  That's Sarah, Ricki's daughter, on the left.  Sarah has recently joined the business and she is rapidly learning everything she can about making cheese.
Jim's goal was to teach as much as possible in two full days by making Cheddar, Camembert and Vacha Toscano while we observed and asked questions.  Most of us took notes, but Jim provided the group with detailed recipes for these cheeses, as well as general cheesemaking info.
 Jim started the Cheddar with 6 gallons of milk.
  Soon it was curds.
Sandy (from Lynn, MA) volunteered to stir the curds.  (She eats a cheddar cheese sandwich every day, so she really needed to learn!  Plus, she wants to give her boss the gift of cheese next Christmas.  It looks like she's on her way to achieving her goal.)
Did we mention that Sandy brought her gigantic Great Dane, Lindsey with her?  Lindsey is a retired service dog but she still takes on a few demo gigs.  She kept quietly poking her head into the door to the basement-to check on Sandy.
We felt and sampled the curds at several points in order to understand exactly how much moisture the curds should retain at various points in the process.  In the picture below, the two cheesemakers to Sarah's left are from Canada.  They didn't know each other before the workshop, but, coincidentally, they both have their own goats.
We started the Camembert and then went upstairs for lunch.  Robin had prepared a beautiful meal.  After lunch we sampled Jim's own Taleggio, Havarti, Cheddar, Vacha Toscano and a Wine Infused Tomme au Marc.  Need we say, "Yum!"?

Jim pointed out that the first step to making great cheese is to taste great cheese.  You need to know the final goal before you can strive to surpass it.  (I'm sorry I didn't get a picture of the samples, but by the time I got to the table, they had been almost completely devoured and then I was too busy grabbing the last delicious bites.  If anyone came to the workshop not knowing that Jim can make cheese, all doubts were alleviated at this point!)

Before we returned to the make room, Carolyn from Gardner, MA posed with Lindsey.  Carolyn took Ricki's workshop last summer.  She then had a "Homemade Artisan Cheese Tasting" at her home.  She and three of her friends brought their own cheeses which they and other friends sampled and analyzed.  She promised to invite us to her next one.
Then, it was back to the Cheddar and the Camembert we were making.  In the picture below, that's Cindy on the left.  As we mentioned before, she drove all the way from New Brunswick (a 12 hour trip) to take this workshop.  She has 9 pampered goats back home and she has already begun to make several different kinds of goat cheese.
 Soon, we watched Jim prepare the curds for cheddaring.  At Jim's left, we see Wally from Fairfield, VT.  He already makes sausage- both dry cured and smoked.  He also makes bread, so he'll have some great sandwiches when he makes his own cheese!  Wally works for a pharmaceutical company, so he was able to contribute to the discussion about calibrating the pH meter.
Jim has poked holes in these plastic bins so the whey drains out.
While the Cheddar curds were draining, the Camembert curds were quickly poured into the molds.  Jim has his own technique for flipping over the Camemberts.  It takes a large hand.
Below, Jill seems to be having a good time.  She has been living in New York but she's moving to Vermont where she hopes to eventually raise goats.  She was inspired by a workshop she took at Murray's caves in NYC.  Jill brought samples of her Cheddars with her to this workshop.  She has been using a wine cooler for her cave.

Sarah and Mike showed up bright and early Sunday morning.  Mike is a veterinarian currently living in Freehold, NJ.  Soon, however, he is buying land in Hamburg, PA where he hopes to eventually raise his own sheep.  Like Jill, he also brought his own Cheddar to the workshop.
 Robin was ready for another day of entertaining the troops.
Before we went downstairs, Jim showed us the butter he had made from the butterfat left in the Cheddar whey.  (Later, we sampled it at lunch and it was truly from heaven!)
Cindy, Liz, Karen and Carolyn were ready for another day.
So, we were back on the job of finishing the Cheddar and the Camembert, then starting the Vacha Toscano. (That's John in back wearing the pink shirt.  Unfortunately, I never did get a good picture of him.  Sorry, John.  Come back to another workshop!)
Karen (on the left) came from New Hope, PA with her 15 year old son, Trey (shown in the next picture).  Trey is only 15 years old, but he makes cheese and we all agreed that he's getting a great start on a possible future career.  Actually, I think we all had a shot at torturing Trey with our bright ideas about his future.)
Compared to the Cheddar, the Vacha Toscano was simple to make.
Jimmy (at the far left) came all the way from Dover, Delaware.  He teaches high school chemistry so his lucky students will soon be learning about cheesemaking.
Meanwhile, Jim pressed the Cheddar, which was already looking good.  Just yesterday, it was nothing but curds floating in a pot.
Liz, Dawn and Carolyn took notes.  Liz lives in Rutland, MA.  She works as the only cook at the Overlook Farm (which is part of Heifer International). 
We broke for another of Robin's fabulous lunches.  Then came the most fun part of the weekend.  Three of the participants had brought their own cheeses for us to sample and critique.  The first cheeses we sampled were Cindy's Squeaky Curds (in the bowl).
Most of us had never tasted Squeaky Curds, so we didn't really know how to judge them.  But, we all agreed they were yummy!  She also brought a jar of her own Cajeta (Mexican Caramelized Candy) from our recipe in Home Cheese Making.  We highly recommend making that when you have some goat's milk to spare.  It was wonderfully sweet and rich!
In the center of the picture below, Patty appears to be concentrating on the curds.  She and her husband, John came here from their home in Groton, MA.  They have a wood fired brick oven which they use to make bread and now, cheese. 
After that, we checked out Mike's Cheddar which he had waxed and aged for two months.  We were amazed by how delicious it was.  Jim pronounced that in one more month it would be an excellent American Cheddar (it was just a little too moist now).  Any of us would have been thrilled to have achieved that cheese!
Jill brought two bandaged Cheddars she had made.  The red sections are where she had removed slices of the cheese and then waxed over the exposed surfaces.  The mold on the bandages was just a little more than Jim would have preferred to see.  He advised her to put some good cheeses in her wine cooler for awhile to get the good mold going.

She made one of her Cheddars with store-bought milk.  The other was made with organic raw Jersey milk.  You'll never guess which one we preferred . . .
Then it was back to the basement.  We were ready for the aging lesson in the room outside Jim's "cave."  Jim showed us that he sometimes uses burlap to wipe the mold off his cheeses.
 Below, his bandaged Cheddars and his brine.  He did not want to get into brining too much because he has so much information about it on our website.  There is information in the HELP section and the HOW TO AND WHY section.
His Feta looks scrumptious.  Oddly, Feta is the cheese that seems to cause the most problems for new cheesemakers.  The recipe with the most information is Jim's new one in the RECIPE section of our website.
 A peek inside Jim's cave.
Dawn and Liz were sitting in front of some of Jim's beer collection.  It isn't enough that Jim is a master cheesemaker - he is also a renowned beer and wine maker, as evidenced in the ribbons on his wall, shown in the next picture.
By late afternoon, we had run out of questions and we were all ready to go home.  We bought some supplies and went on our way.  Liz checked out an acid testing kit and gave us a gorgeous smile.  Now, let's make some cheese!